One of the most notable contributions of Shaw to the modern
drama lies in the exceptional variety and vividness of his characters that he
provides. In Arms and the Man, Shaw presents Bluntschli and Sergius, the
protagonists who stand as a contrast antipodal related to each other.
Bluntschli is projected as superior to Sergius in point of the realistic
approach to life and Sergius is only a ridiculous foil to the professional
competence of Bluntschli.
As soldiers, the two are poles asunder. Sergius looks upon
war through the mist of romance and like Othello and Tamburlaine war is a thing
of glory, an opportunity for displaying heroism to him. He is a ridiculous figure, but finally in the
end he learnt to his bitter cost, the supreme lesson that “soldiering is the
coward’s art of attacking mercilessly when one strong and keeping out of harm’s
way when one is weak.” Thus Sergius is presented as a sentimental fool holding
the illusory aspects of life as reality.
Bluntschli, on the other hand is a character who from the
first appearance on the stage manifests himself to the most un-soldierly soldier.
To him war is no amusement, not a thing to gloat over but a necessary evil and
he does not rush into the mouth of cannon for bubble reputation but is guided
by the instinct of self- preservation like all other men. He frankly admits
that he carries chocolates as ration in place of bullets. He quickly gobbles up
some chocolates which Raina offers him, licking the remains from his fingers and
thus becomes Raina’s “chocolate cream soldier”.
As lovers too,
Bluntschli and Sergius are anti- thetical. Sergius is the embodiment of the
romantically tender and faithful love while Bluntschli is too practical. Sergius
considers himself to be the “apostle of higher love” as he calls him. Whereas
Bluntschli is a realist in love and throughout the play the un- romantic
Bluntschli makes no such pretensions to love and appears to be too prosaic in
all spheres of life.
Thus the common sense of Bluntschli of Bluntschli of
Bluntschli outdoes and outshines Sergius both in love and war and proves the
epitome of the complete human being , an architect of a new message about Arms
and the Man.
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