Jimmy Porter is the male protagonist in Osborne Kitchen
Sink Drama Look Back in Anger(1956). He is the representative of the Angry
Young Generation that the post-world –war-second socio –political ethos
generated. Jimmy is strongly conscious of the present condition of human life-
that human existence has been degenerated even far below the bovine standard.
Other men and women, who, as it were, sleep in the den of ignorance,
unconsciousness and lowliness, cannot realize it. Standing on the debris of
utter damnation Jimmy continues trumpeting to wake up his generation to
consciousness. Unfortunately, others, for whom”April is the cruelest month”
are not conscious of the Status qua and what is more they are unwilling to be
conscious.This accounts for why Jimmy unleashes vitriolic anger on the heads of
those whom he confronts in due course of reading newspaper, taking tea, hearing
the music of Vaughan Williams and playing on the trumpet. Besides his wife
Alison Porter , his friend Cliff, Helena, his wife’s friend, his mother-in-law,
Nigel, his brother-in –law, Colonel Redfern, his father- in-law-all are the
scapegoats of his anger. Endowed with apocalyptic vision , Jimmy intends to
burn the existing condition to ashes by the fire of his anger. Jimmy’s anger
is, therefore, more redemptive.
One understands that Jimmy’s is a highly tragic predicament,
for he is entrapped in the labyrinth of his own consciousness. He can neither
come out of his consciousness , nor those , who live with him can enter into
it.It is his consciousness that destroys him and, therefore, he has become
destructive to others .His trumpeting suggests his endeavor to summon people
for waking up and his cry for salvation. It is synonymous with Hallelujah.
Thus, Jimmy’s ‘over consciousness’ is his hamartia, if he is analyzed as a
tragic protagonist. This metaphysical consciousness , that alienates Jimmy from
those who crowd in his surrounding world, turns him into an above- the –average
character. It makes him Prophet –like ,
for a prophet only properly realizes the damnation of an era and sets out to
usher in a golden millennium.
To identify Jimmy with a prophet exclusively is to commit a
great blunder, for he is not led by the prophetic motto, amo vincit omnia,
meaning love conquers over the universe. In other words, though Jimmy has the
palpable perception of the rottenness of the status qua, he does not know the
means of heralding a golden millennium. Therefore , he is called a ‘frustrated
messiah’.
John Osborne’s Look Back in Anger dramatizes ‘the panorama
of futility’ that became contemporary history. Jimmy’s consciousness in the
play serves as the presence of the blind prophet Tiresius in T.S. Eliot’s The
Wasteland. The play gives us a temperature of social protest and the weather is
blisteringly hot.Jimmy, who embodies the Lutheran rebelliousness, is the fuming
British malcontent. One knows that the post-fifties sociopolitical an economic
ethos has given birth to Jimmy Porter who embodies the spirit of every young
man of the time.He is a social rebel and an intellectual misfit.
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