Thursday 31 December 2015

Significance Of The Title Of J.M.Synge’s Riders To The Sea



A title is always very significant in dramatic literature as it plays a conspicuous role to give a suggestive hint about the theme of the play. The title Riders to the Sea is so appealing because at the very outset it hints that it is a story of a group of peasants and fishermen who are professionally riders, living at the coastal region of the Bay of Galway and the key word ‘riders’ is metaphorically used by the playwright to refer to those people who move on the sea in their struggle for existence , and thereby, hinting at the eternal conflict between man and neccesity.The title is , therefore used in a highly dramatic sense and the experience out of which the author drew the word ‘riders’ is based on reality.

The presence of the sea is pervasive in the play. Its presence is almost as eerie and haunting as that of Egdon Heath in Hardy’s novel  The Return of the Native and the uncultured primitive fishermen are presented as pitied against the ferocity of the hungry sea , and the force of the circumstances of the lives,they are decreed to take regular voyage to the sea: the matter of fact is that they cannot survive without venturing out on the sea for the sake of the subsistence. Undeniably, the sea gives them fish for food, passage across the market in Ireland and supplies them with kelp which can be used to extract iodine. Riding to the sea is,thus, an indispensable course of their daily routine, though the islanders cannot understand the mysterious way of the sea: the sea may wash open Atlantic with no land inside; and it is very probable that the rider might return but his return would be in the form of a corpse washed ashore by the waves. In Riders to the Sea , the title refers to all fisher folk in general through the focused eight male members of Maurya’s family who rode to the sea to be devoured in the long run. Bartley’s, the only surviving son of Maurya, decision to go to the sea does not imply any challenge on his part. He is simply toiling to earn his living. This is not an act of “hubris” or “hamartia”.

Implicitly, the title brings out symbolically the bread earners and the adverse worldly force, though mother’s stoical resignation to the will of God in conclusion focuses the human riders and superior force to the elemental fate and therefore, the sea cannot ultimately keep the native grandeur of human mind suppressed. Synge’s title is thus quiet precise and suggestive.

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